Tag Archives: 60s counterculture

Tie Dye, Official Dress of a Generation

🎨 Tie-Dye: The Groovy Uniform of the Rock Generation

If rock and roll had a dress code during its golden age, it wasn’t a black leather jacket or bell-bottom jeans—it was a swirl of riotous color on cotton. That’s right: tie-dye.

With its unpredictable patterns, bright hues, and handmade flair, tie-dye became the unofficial fabric of rebellion. In a world still buttoned up from the ’50s—neatly parted hair, pressed skirts, matching suits—tie-dye came crashing in like Hendrix at Woodstock: loud, messy, beautiful, and totally unbothered by the rules.


🌀 Not So New After All

tie dye swirl pattern
tie dye swirl pattern

Though the Summer of Love gave tie-dye its psychedelic fame, the technique itself was far from a new invention.

Historians have traced early forms of resist-dyeing—where portions of fabric are shielded from dye using knots, folds, or wax—back over 1,500 years. Ancient samples have been found in:

  • China and Japan – early shibori techniques
  • India – bandhani-style tie patterns
  • Peru – possibly dating as far back as the year 500

So while the hippies didn’t invent tie-dye, they definitely gave it a rock and roll makeover.


🧪 Rit Dye and a Revolution in a Bottle

In the early 1960s, Rit Dye was struggling. It had once been a household staple, but now, with off-the-rack clothes booming, who needed to color their own?

Enter Don Price, a marketing mind at Rit who had a bright idea—literally. He introduced liquid dyes that were easier to apply and promoted their use to artists in Greenwich Village. The concept took off.

Rit supported experimental decorators like Will and Eileen Richardson, who brought vibrant, hand-dyed textiles to life. High fashion noticed. Soon, legendary designer Halston began incorporating tie-dye into his collections. The Richardsons even won a Coty Award for their contributions to modern fabric art.

From the street to the runway, tie-dye was now officially groovy.


🎶 From Protest to Pop Culture

While the artistry was rising, so was the anti-establishment mood of the late ’60s. Tie-dye became more than a pattern—it became a statement.

  • It rejected uniformity
  • It embraced the handmade over the manufactured
  • It blurred boundaries with color, just as the counterculture was blurring lines in society

Indian spiritual influence, thanks in part to The Beatles’ well-publicized journeys, also inspired many artists and designers to turn eastward—both in philosophy and in fashion.

By the time Woodstock rolled around in 1969, tie-dye had made the leap from craft to icon.

📸 Janis Joplin strutted on stage in a tie-dyed dress
🧦 John Sebastian was literally tie-dyeing his underwear
👕 Joe Cocker, Mama Cass, and others turned it into their personal stagewear
🎸 And the Grateful Dead? They practically made it their team uniform

📺 Watch: Grateful Dead – “Truckin’” (tie-dye overload edition)


🧵 How the Magic Works

What makes tie-dye so… tie-dye?

At its heart, it’s all about resisting the dye in some areas while allowing it to soak in others. You can:

  • Twist, scrunch, or roll your fabric
  • Use rubber bands, strings, or folds
  • Dip in one color or a dozen
  • Let the chaos happen

The results are always unpredictable and always unique—just like the generation that loved it most.

Some classic pattern styles:

  • Spiral – pinch the center and twist
  • Bullseye – gather from one point and band in sections
  • Crinkle/Marble – scrunch the whole shirt into a ball
  • Stripes – accordion-fold and band in straight lines

No two pieces are alike. And that’s the point.


👗 From Counterculture to Couture

In 1970, high fashion joined the party. Vogue featured model Maria Benson in a flowing Halston tie-dyed kaftan. The symbol of youth protest was now walking the runway.

But while couture caught on, it never stole tie-dye from the people. It stayed in thrift shops, on concert tees, and in DIY kits. Even today, it shows up everywhere from high school art class to Coachella.


✌️ Final Thought: A Colorful Rebellion That Never Faded

Tie-dye wasn’t just a look—it was a feeling. A rejection of the beige and boring. A splash of color in a gray world. It was messy, vibrant, imperfect—and perfectly suited for a generation that didn’t want to look or live like their parents.

Whether worn on stage, around a campfire, or in a backyard during a DIY summer afternoon, tie-dye remains a symbol of creativity, freedom, and rock and roll spirit.

Because sometimes the best way to stand out… is to swirl.

The Human Be-In

Human Be-In poster
Human Be-In poster

The Human Be-In happened on January 14, 1967 in San Francisco’s Golden Gate Park, and was a celebration of the 60s counterculture and hippie movement.

The Be-In was preceded by the Love Pageant Rally, a much smaller event in October 1966 that was staged to protest the banning of LSD, and it was a predecessor to the famous Summer of Love that which brought the hippieculture to national attention and international recognition to Haight Ashbury.

The Human Be-In was announced on the cover of the first issue of the San Francisco Oracle as “A Gathering of the Tribes for a Human Be-In.” Entertainment included Timothy Leary with his his famous phrase “Turn On, Tune In, Drop Out”, Richard Alpert (soon to be more widely known as ‘Ram Dass’), and poets like Allen Ginsberg, who chanted mantras, and Gary Snyder. Security was provided by The Hells Angels, and a host of local rock bands such as Grateful Dead and Quicksilver Messenger Service provided the music. Of course there were plenty of drugs, Owsley “Bear” Stanley provided “White Lightning” LSD to the public.

Allen Cohen, one of the founders of the San Francisco Oracle, later commented on how it brought together philosophically opposed factions of the San Francisco-based counterculture: on one side, the Berkeley radicals, who were tending toward increased militancy in response to the U.S. government’s Vietnam war policies, and, on the other side, the Haight-Ashbury hippies, who urged peaceful protest.

Total attendance was estimated at 20,000 to 30,000, and it set the stage for the larger Summer of Love that brought people in from all over the country and made Haight Ashbury famous.